Gangsta’s Paradise- Coolio ft. L.V.
Source: violins, strings
Time/Tempo: andante
Groove: pop and funky on how it makes the audience move
their head to the beat as well as sing along to the choir singing in the background
Instrumentation: violin, drums, maracas
Structure/Organization: verse, chorus, verse, chorus,
bridge, chorus, choir
Emotional Architecture: starts off him rapping and then
jumps into the choirs. The whole song is at a constant speed so there are no
fast parts. This song is catchy on how the strings play a melody that is easy to
remember and sing along to.
Height: verse- low frequency/ chorus- low frequency
Width: no panning
Depth: violins, choir
All I Need-
Method Man ft. Mary J. Blige
Source:
drums, bass, electric piano
Time/Tempo:
andante
Groove:
pop and funky on how it makes the audience move their head to the beat as well
as sing along to the choir singing in the background
Instrumentation:
drums, bass, electric piano
Structure/Organization:
verse, chorus, verse, chorus, chorus, chorus
Emotional
Architecture: starts off him rapping and then jumps into the chorus. The whole
song is at a constant speed so there are no fast parts. This song is catchy on
how the drums play a constant beat and the words are easy for the listener to
memorize in order to sing along to.
Height:
verse- low frequency/ chorus- high frequency
Width: no
panning
Depth: electric
piano, bass, drums
Miss
Jackson- Outcast
Source: drums,
electronics, piano
Time/Tempo:
andante
Groove:
pop and funky on how the chorus is catchy and how the piano sounds as if the
singer is walking as he is singing
Instrumentation:
drums, electronics, piano
Structure/Organization:
talking, chorus, verse, bridge, verse, chorus, verse, chorus, chorus
Emotional
Architecture: starts off him talking apologizing to “Miss Jackson” and then
jumps into the chorus. The whole song is at a constant speed so there are no
fast parts. This song makes the audience move on how the chorus is catchy and
at a different frequency
Height:
verse- low frequency/ chorus- high frequency
Width: no
panning
Depth: piano,
electronics, drums
Standing in
the Shadows of Love- The Four Tops
Source: tambourine,
drums
Time/Tempo:
allegro
Groove:
pop and funky on how the chorus is catchy and how the
Instrumentation:
tambourine, drums
Structure/Organization:
chorus, verse, bridge, chorus, verse, bridge, chorus, verse, bridge, chorus
Emotional
Architecture: starts off with the chorus then the verse. The whole song is at a
fast speed and during the bridges, the music would die down almost as if he is
singing acapella. This song makes the audience move on how the chorus is catchy
and at a different frequency
Height:
verse- high frequency/ chorus- high frequency
Width: no
panning
Depth: tambourine,
drums, choir
Tighten
Up- Archie Bell & the Drells
Source: drums,
guitar, bass, organ, saxophone, trumpet
Time/Tempo:
allegro
Groove:
pop and funky on how the chorus is catchy and how the
Instrumentation:
tambourine, drums
Structure/Organization:
chorus, verse, bridge, chorus, verse, bridge, chorus, verse, bridge, chorus
Emotional
Architecture: starts off with him talking and then goes into the chorus. Throughout
the whole song he switches between talking and singing the chorus. The song
sounds as if he is instructing a class on how to dance. The claps in the background
engages the audience to feel as if they are there in the “class”
Height:
verse- high frequency/ chorus- high frequency
Width: no
panning
Depth: clapping,
drums, guitar, bass, organ, trumpet
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